My time working at Prehistoric Studios consisted of many projects, one of which was to build a period accurate, life-sized T-Rex skeleton. This was for the Netflix production of ‘All The Lights We Cannot See”, which was based on a best selling World War 2 novel.

I was involved in all stages of the production from initial concept, structural design, sculpting, moulding, artwork and assembly, to final construction on set in Hungary. This was a fantastic undertaking and one of the highlights from my time working there.